Northwest Film & Video Festival
FILMMAKER
The Magazine of Independent Film

FILMMAKER BLOG Blog RSS Feed

Friday, February 09, 2007
EASY COME, EASY GO? 

It's late at night in Europe, and I'm not quite sure what to make of this article I've just read in Variey by William Triplett entitled "IRS strips indie film tax breaks." The thrust of the article: the IRS has ennacted onerous restrictions on the film financing tax break contained in the American Jobs Creation Act of 2004. This tax break has incentivized private investors to invest in independent film by allowing them to deduct the full amount of their investment in the first year rather than amortizing it over multiple years.

According to the Variety article, the IRS is now requiring producers to include the costs of future participation payouts and guild residual payments in their initial budgets. The article quotes the IRS as saying that this requirement will prevent producers from manipulating the $15 million budget cap by not including such costs.

The IRS decision has been met with outrage by supporters of the provision:

The IRS said it decided the budget must include P&R payouts to prevent filmmakers and producers from "manipulating the total production cost" by counting standard compensation as P&R and thus helping the budget stay under the $15 million cap.

Congressional staff who worked for almost six years to pass the bill and its provision were "so angry" about the ruling, as one put it. While the ruling isn't final, "this kind of thing basically never gets stopped." Congress will have to enact new legislation in order to restore the provision.

"We are extremely disappointed with today's ruling, which we believe undermines the intent of the production incentive contained in the Jobs Act legislation," the DGA, SAG and IATSE all said in a joint statement. "While the incentive may still prove workable for television production and for some independent films, the ruling that participation and residuals -- which are often based on sales and profits that cannot be known at the time of production -- must be included as original production costs undermines the use of the incentive for many independent, low budget films.


On the one hand, I think the article overstates the number of films this will affect. I produced a film last year for which the investor received this tax break. The film cost $2 million, and even if I included 'best case" scenarios for deferral and participation payments, I'd have had a hard time busting the $15 million cap. On the other hand, though, the IRS ruling is nonsensical. Residuals to SAG actors, DGA directors and WGA writers, which are mandatory payments for the films (or the distributors of the films) signing these guild agreements, are based on the revenue generated by sales to "ancillary" markets like television and home video. Obviously, any true independent production cannot predict these costs at the time of production.

At first read, it sounds like the ruling will affect films with budgets close to the ceiling and which may have foreign sales and ancillary deals in place. But I'll be following this and will try to post some more details as I learn them.


# posted by Scott Macaulay @ 2/09/2007 07:43:00 PM
Comments (1)

 
Thanks for the post...I've used this in my business plan and I missed the article in Variety somehow so thanks again!! Best of luck!

Catherine E. Rubey
www.baggagethefilm.com
www.sundancereport.blogspot.com
# posted by Blogger Catherine E. Rubey @ 2/17/2007 8:56 AM  


This page is powered by Blogger. Isn't yours?



FALL 2008

RECENT POSTS

BERLINALE 1: FRANCE VS. GERMANY
HOOKING UP
THE YEAR IN SELF-DISTRIBUTION
IMMORAL WOMEN
UN FILM DE MICHAEL BAY
UNDER THE INFLUENCE
HANGING ON THE TELEPHONE
GUATEMALAN IN THE NORTHWEST
FASCINATING FASCINATION
"AN IMPRESSIVE DEPTH OF FIELD"


ARCHIVES

Current Posts
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008

back to top
home page | archives | blog | resources | fest circuit | back issues | buy print subscription | buy digital subscription | digital sample | subscription FAQ | advertise | contact

© 2008 Filmmaker Magazine