Thursday, March 15, 2007FOREIGN INDEPENDENCE![]() I was interested to note the ten directors chosen by Forbes magazine as their ‘Tastemakers’. The list is as follows: Pedro Almodóvar Sofia Coppola Alfonso Cuarón Guillermo del Toro Clint Eastwood Alejandro González Iñárritu Spike Lee Richard Linklater Michael Moore Martin Scorsese With the exception of Scorsese and Eastwood (the two most recent recipients of the Best Director Academy Award), there is a case that can be made that all the directors chosen are, in one way or another, ‘independent’ filmmakers. However, all of these ‘indie’ directors – apart from Almodóvar – are essentially working within the Hollywood system, and it is a sign of how integrated independent filmmaking has become with Hollywood that a magazine such as Forbes chooses such directors for its elite top ten. The author of the Forbes piece, Elisabeth Eaves, intriguingly also puts forward the argument that, due to all the “money, talent and cultural influences converging on Hollywood from all over the world” we are seeing “the collapse of the old notion of a ‘foreign film.’ ” Eaves later clarifies her statement by explaining that there has been a recent “globalization of one of America's most emblematic exports” - meaning that it is not foreign films that have changed, but rather Hollywood films. With the recent success of films like Pan’s Labyrinth, Babel and Letters From Iwo Jima, it is clear that American filmgoers are no longer daunted by the prospect of seeing a film with subtitles. Moreover, American directors are showing a willingness to make films in foreign languages. A case in point is The Pool, documentarian Chris Smith’s debut fiction feature which won the Special Jury Prize at Sundance in January. Although based on a short story by his friend and collaborator Randy Russell which was set in Iowa, Smith transposed the tale to Goa in India and shot the film in Hindi. Equally, the first film by L.A.-based writer-director Jason Cuadrado, Tales From the Dead, is a horror film in four parts which Cuadrado filmed with a cast of Japanese actors speaking their native tongue. One of questions that arises from all of this is, with the growing number of foreign-language films being made by American or U.S.-based filmmakers, will there still be room in the marketplace for ‘genuine’ foreign films? Comments (2) |
LETHEM'S FREE LOVE (MORE RIGHTS FOR FILMMAKERS!)
OH, CANADA!
SXSW WINNERS
TRIBECA ANNOUNCES ENCOUNTERS, RESTORED/REDISCOVERE...
LETHEM, AGAIN
GRINDHOUSE AT SXSW
TRIBECA ANNOUNCES COMPETITION AND SPOTLIGHT SELECT...
STARING AT THE COMPUTER SCREEN
THE DAY AFTER TOMORROW
STAIR MASTER
Current Posts
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009
November 2009
December 2009
January 2010
February 2010
March 2010