FILMMAKER
The Magazine of Independent Film

FILMMAKER BLOG Blog RSS Feed

Saturday, January 05, 2008
BINARY CODE 

Over at the Invisible Cinema blog, Jennifer MacMillan starts the new year with a list challenging the binary oppositions that too often inappropriately frame the relationship between narrative film and experimental film. And, um, I guess with that last sentence I fell into the sloppy thinking she critiques. Witness point number four: "To say that an experimental video is 'non-narrative' is like saying that Henry Ford's invention of the T-model automobile was a non-horse & carriage buggy! Or it's like saying that Rimbaud wrote non-novels. Grouping all short films together is misunderstanding cinema."

And here's #2, on the year-phenomenon of "10 Best" lists:

2. form and content
Your top ten lists? Go ahead with placing the mystery of cinema into a concise numerical form if it makes you happy. Seriously, I love awesome writers, and I do not care how you label yourselves. But let's look a bit closer. Your IndieWire list for example, that's all narrative cinema. Cinema differentiated ONLY by CONTENT. Experimental cinema radically changes FORM. Experimental cinema has exquisitely evolved into a complex system of formats! Here are a few highlights:

live video performance, enhanced by the invention of new softwares, i.e. Module8 and Jitter, used by artists such as Luke Dubois, Chika, Nisi Jacobs, Zach Layton, Andy Graydon, and Zach Layton.

applied materials: hand painting, collage, sewing on the film strip, polarized light experiments used by Courtney Hoskins, Jennifer Reeves, Lewis Klahr . . .

animation: Martha Colburn, Tim Reardon, Xander Marrow

single frame films: Joel Schlemowitz

pioneering video inventions: Cori Archangel, Ken Jacobs

experimentation with film loops and non-camera filmmaking: Bruce McClure, Luis Recorder, and Sandra Gibson


Bookmark and Share
# posted by Scott Macaulay @ 1/05/2008 03:10:00 PM
Comments (1)

 
Hey Scott,
To be featured on your blog is such a compliment, thank you! When seeing experimental cinema and narrative cinema as opposing complements, the big picture really comes into focus. Yin/Yang seems to be the perfect symbol of our cinematic cosmic forces!

P.S. No reader who takes the time to read Invisible Cinema is ever a sloppy thinker. :)
# posted by Blogger jmac @ 1/05/2008 6:35 PM  


This page is powered by Blogger. Isn't yours?



FALL 2009

Fall 2009 Cover

RECENT POSTS

POLITICS AND THE END OF THE WORLD
MICHAEL MOORE COMMENTS ON IOWA
CONNECTION TO HER FANS
MASH UP IT UP UNDER THE LAW
THE ORCHESTRA AS GUITAR
SCOTCH MISTING IN THE NEW YEAR
2007: YEAR OF THE FILM CRITIC?
2007 IN QUOTES
IF YOU ARE ON FACEBOOK... (PLUS THE AUTEURS)
FIGHTING THE STEREOTYPES


ARCHIVES

Current Posts
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009


blog | back issues | buy print subscription | buy digital subscription | subscription FAQ | advertise | contact
© 2009 Filmmaker Magazine