FILMMAKER
The Magazine of Independent Film

FILMMAKER BLOG Blog RSS Feed

Thursday, October 16, 2008
APPLE: "FIREWIRE, YOU'RE FIRED!" (ON THE MACBOOK, THAT IS...) 


Despite a blog post below in which we criticized Apple for some subtly unrealistic threats having to do with a government decision on artist royalties, we are Apple fans. Really. Our magazine is made on Macs, I'm typing on one right now, and Jamie Stuart's work, which we feature on our home page, is edited with Final Cut on a MacBook Pro. So, like the techies, we look forward to Apple product announcements and the unveiling of what we will be upgrading to soon.

The aluminum enclosure of Apple's new MacBooks and MacBook Pro's, which were announced this week, looks sleek and cool, and the new graphic cards seem great. The new mini Display Port could be a very useful addition. But there's one thing about the announcement that leapt out at me: the elimination of FireWire from the MacBook entirely, and the elimination of FireWire 400 from the MacBook Pro. I'm a MacBook user, and I use FireWire to back up my computer on portable hard drives. I asked Jamie what he thought about this product change and here's what he wrote, commenting about both the laptops' FireWire change and the new port configuration.

Why entirely get rid of the FireWire 400? That's the format that virtually all Prosumer cameras use. Are filmmakers going to have to buy new connector cables because of this? Furthermore, having only one FireWire in and of itself is inconvenient. My current laptop only has one, but subsequent versions have had a 400 and an 800 (this means that I have to transfer my footage to my computer first, then transfer it again to an external drive, instead of just going straight into the other drive.) Also, by putting all the ports on the left side, they've made it inconvenient for mouse-users such as myself. Currently, I plug into the right-side USB, and it's fine. Now, I'll have to plug in on the left and wrap the cord around the back of the computer to the right side.

FireWire 800 is faster than 400, like USB/USB 2.0 -- but they're shaped differently. There are cables that have a 400 at one end and an 800 on the other. However, I'm pretty sure that most prosumer cameras use 1394 connectors, which are FireWire 400.

They'll have to redo this for then next revision. This is really bad. Or wait until the 17" comes out since that usually has more ports.


There's a lot of talk about these changes online today. In an article by Mark Webster in The Independent, he sees Apple's strategy as all about eliding differences between the consumer-y MacBook line and the professional MacBook Pro line.

But can you do without a FireWire 400 port - the connection most video cameras still support? (Apple will make adapters available, for a price, apparently.) Apple seems to be saying ‘it's USB for consumers and FireWire for professionals' as the new MacBook Pro still has Firewire 400 and 800 ports. A growing number of consumer hard drives and DV cameras do use USB instead of FireWire, tis true. Soon enough for you, though?

Despite the omission of FireWire, once again Apple has narrowed the gap between its consumer and pro machines. Why?

Partly as a response to current MacBook owners. Jobs noted that the three things MacBook owners wanted to see most in future models were: metal case, faster graphics performance and an LED-backlit display. That display is glossy, by the way, as it is in the new MacBook Pros, raising the ire of some photographers who really prefer matte.

Note that the MacBook video card, as Macworld points out, doesn't have its own RAM like ‘proper' video cards. It still borrows some of the MacBook's main memory, although a lot more than before - 256MB. So adding more RAM will always improve your MacBook, giving the system more overhead above that video-allocated 256MB.

But still, why did Apple make a consumer machine that looks and acts like a pro machine? Don Frakes of Macworld thinks the new-and-improved MacBooks will shift what he calls "the indecision point" between the MacBook and MacBook Pro. "In other words, while there are customers for whom the choice between the MacBook and the MacBook Pro is an obvious one, there is always going to be a group of people whose needs fall squarely between the two and who have to decide between saving money or getting more performance and features." A smaller, lighter model might be perfect for them.


Wired has a colorful article by Charlie Sorrell up entitled "Apple Quietly Kills FireWire 400." Despite it's intro, in which a masked hitman kills Mr. FireWire on the Apple campus, the piece winds up downplaying the move:

The internet is afire with complaints, but it's probably fair to say that FireWire is now a minority interface. If you need it, buy a Pro and an ExpressCard adapter and quit whining. For everyone else, there is USB. With Apple, every technology has a limited lifespan. There's a long list of things that Macs have dropped, and while there were complaints at the time, some of these things now seem rather quaint: the floppy disk and the modem. Heck, the MacBook Air doesn't even have an optical drive.


Mac Daily News takes some swipes at the Wired article -- mostly critiquing its headline -- and sticks up for Apple, but even it has to wonder:

We're still trying to figure out how Apple, among other concerns, plans to resolve the dichotomy between MacBooks that ship with iMovie and the lack of a FireWire port for DV cameras; the few relatively expensive solutions we've found so far (USB to FireWire DV Adapter) are all Windows-only. Surely Apple doesn't expect hundreds of thousands of potential MacBook buyers who also own cameras equipped with FireWire to go buy new USB 2 cameras, right? Some other solution must exist or be in the works, right, Apple?


We're wondering too...

To complain to Apple about the removal of FireWire from MacBooks click here.


Bookmark and Share
# posted by Scott Macaulay @ 10/16/2008 11:57:00 AM
Comments (3)

 
There's a long thread about this on Create Digital Music:

http://rewrit.es/Bf0

I think it's a serious mistake to shed the FW ports on consumer machines. I understand that Apple tries to lead the market in technology trends, and firewire is becoming diminished in the consumer market, but there is simply too much audio and video gear that relies on it, and simply saying that those users should purchase pro machines goes against Apple's long standing support of amateur and student artists- embodied by products like iLife, Final Cut Express and Logic Express.
# posted by Blogger Wiley @ 10/16/2008 1:21 PM  

 
Completely agree. In addition to my external hard drive I have a digital camera that works on Firewire. It's a drag, because I was considering replacing my computer, and I don't need the higher-priced MacBook Pro.
# posted by Blogger Scott Macaulay @ 10/16/2008 3:14 PM  

 
I was going to get a new macbook too, but I have a pricey portable firewire-only audio interface, that I am in love with (the apogee duet, if anyone is curious), not to mention a DV camera that is firewire only. Right now the best solution is to pick up one of the handful of nicely discounted Apple refurbished last-gen macbook pros if you want a newish portable to do music and video on. I'm not in love with the white plastic macbook. In a years worth of use, mine has already had a chunk of plastic on the palm rest bizarrely snap off and a hard drive die.
# posted by Blogger Wiley @ 10/16/2008 4:00 PM  


This page is powered by Blogger. Isn't yours?



FALL 2009

Fall 2009 Cover

RECENT POSTS

MORE ABEL, BAD LIEUTENANT
ABEL FERRARA ON HOLLYWOOD, MARY, RELIGIOUS MOVIES ...
SASHA GREY REPORTED CAST IN SODERBERGH'S GIRLFRIEN...
55,000 VIDEOS IN SEARCH OF A GOOD HOME
WEATHER UNDERGROUND DIRECTOR ON BILL AYRES
MARTESKO-FENSTER JOINS BABELGUM
KIRSNER REPORTS FROM THE DOC VANGUARD
HOLLY WOODLAWN, OFF CAMERA
CONGRATS TO PAUL KRUGMAN
THE CONCLUSION OF JAMIE STUART'S NYFF46


ARCHIVES

Current Posts
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009


blog | back issues | buy print subscription | buy digital subscription | subscription FAQ | advertise | contact
© 2009 Filmmaker Magazine