FILMMAKER
The Magazine of Independent Film

FILMMAKER BLOG Blog RSS Feed

Wednesday, December 31, 2008
SCHAMUS AND SCOTT ON THE APARTMENT 


I'm late catching up to some of the things that have been bouncing around the blogosphere, but here the New York Times' A.O. Scott has a nice video essay on Billy Wilder's The Apartment, which is dubbed "a brilliant alternative to classic holiday films" and one that ends on New Year's Eve. (I wish these great Times video pieces were embeddable -- I get that they have to increase traffic, but I'd so love to post them.)

The Apartment was also selected by producer, screenwriter and Focus Features CEO James Schamus as part of a series on the FilmInFocus site in which Focus employees pick their top holiday pictures. Here's what Schamus had to say:

Somewhere between the inevitable It's a Wonderful Life and the creepily campy Ernest Saves Christmas there is a perfect holiday movie for the whole family – one that will keep both the smirk on your teenager's face and the tears flowing from your in-laws' eyes. That movie is Billy Wilder's 1960 masterpiece, The Apartment. Not a classic Christmas movie, you say? Look again.

The action takes place primarily from Christmas Eve to New Year's Eve, with moments that sum up to perfection the Christmas spirit according to Wilder: the despicable Sheldrake (played with greedy zest by Fred MacMurray), handing his downtrodden mistress, Fran Kubelik (Shirley MacLaine), her present, a crisp $100 bill; the prolonged Christmas Eve-to-Christmas Day sequence, in which Buddy Baxter (Jack Lemmon, above) finds her, overdosed on sleeping pills, at his apartment and, with the help of his next-door neighbor, force-feeds her coffee and slaps her repeatedly to keep her from collapse; and, most memorably, Sheldrake on the phone in his White Plains house, his children playing with their new toys around the Christmas tree in the background as he heartlessly hears the news of his mistress's suicide attempt. When Fran finally dumps Sheldrake and races back to Buddy's apartment on New Year's Eve, she hears, just as she reaches the door, the loud retort of a suicide shot – only to discover that the sound was Buddy, alone, popping open a magnum of Champagne.

For anyone who has ever been tempted by either the gun or the bottle at the prospect of the enforced joy of the holidays, Wilder's movie is the perfect tonic. In the end Ms. MacLaine, cutting a deck of cards, delivers the movie's final line in both wry acceptance of Buddy's babbling protestations of love and as sage advice to the rest of us enduring the mandatory festivities of the season: "Shut up and deal."


Click on the link above for the rest of the Focus series.


Bookmark and Share
# posted by Scott Macaulay @ 12/31/2008 11:58:00 AM
Comments (0)


This page is powered by Blogger. Isn't yours?



FALL 2009

Fall 2009 Cover

RECENT POSTS

EBERT SINGS FOR SITA
FILMMAKER YEAR IN REVIEW: MARY GLUCKSMAN
WHERE ARE THE VIEWERS?
ALL THE BLOGS YOU NEED
HOW TO BLOG
HAROLD PINTER, R.I.P.
BILL LANDIS, R.I.P.
FILMMAKER YEAR IN REVIEW: ALICIA VAN COUVERING
FILMMAKER YEAR IN REVIEW: DAMON SMITH
FILMMAKER YEAR IN REVIEW: BRIAN CHIRLS


ARCHIVES

Current Posts
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009


blog | back issues | buy print subscription | buy digital subscription | subscription FAQ | advertise | contact
© 2009 Filmmaker Magazine