FILMMAKER
The Magazine of Independent Film

FILMMAKER BLOG Blog RSS Feed

Saturday, January 10, 2009
WHAT WILL THE FUTURE HOLD? 

At the of Barack Obama's election-night speech, he had a beautiful bit of oratory in which he remembered an elderly woman and spoke of all the things that she saw in her lifetime. What will we see if we live as long as her, he wondered. That, in essence was the question posed to a distinguished group of artists, writers and thinkers at The Edge. The responses here are of the quality that you want to bookmark the page and read one a day for the next month or so.

Formally, the question posed by editor and publisher John Brockman was: "WHAT WILL CHANGE EVERYTHING? What game-changing scientific ideas and developments do you expect to live to see?" Among the respondents are Richard Dawkins, Richard Foreman, Freeman Dyson, and Douglas Ruskoff. Brief excerpts from some of the answers are below.

Howard Gardner:

For the first time, it should be possible to delineate the nature of talent. This breakthrough will come about through a combination of findings from genetics (do highly talented individuals have a distinctive, recognizable genetic profile?); neuroscience (are there structural or functional neural signatures, and, importantly, can these be recognized early in life?); cognitive psychology (are the mental representations of talented individuals distinctive when contrasted to those of hard workers); and the psychology of motivation (why are talented individuals often characterized as having 'a rage to learn, a passion to master?)


Stuart Kauffman:

John Brockman's question is dramatic: What will change everything? Of course, no one knows. But the fact that no one knows may be the feature of our lives and the universe that does change everything. Reductionism has reigned as our dominant world view for 350 years in Western society. Physicist Steven Weinberg states that when the science shall have been done, all the explanatory arrows will point downward, from societies to people, to organs, to cells, to biochemistry, to chemistry and ultimately to physics and the final theory.

I think he is wrong: the evolution of the biosphere, the economy, our human culture and perhaps aspects of the abiotic world, stand partially free of physical law and are not entailed by fundamental physics. The universe is open.


Leo Chalupa:

In the 1960s movie "The Graduate" a young Dustin Hoffman is advised to go into plastics, presumably because that will be the next big thing.

Today, one might well advise the young person planning to pursue a degree in medicine or the biological sciences to go into brain plasticity. This refers to the fact that neurons are malleable throughout life, capable of being shaped by external experiences and endogenous events.


Brian Eno:

What would change everything is not even a thought. It's more of a feeling.

Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better. The world was rich compared to its human population; there were new lands to conquer, new thoughts to nurture, and new resources to fuel it all. The great migrations of human history grew from the feeling that there was a better place, and the institutions of civilisation grew out of the feeling that checks on pure individual selfishness would produce a better world for everyone involved in the long term.

What if this feeling changes? What if it comes to feel like there isn't a long term — or not one to look forward to? What if, instead of feeling that we are standing at the edge of a wild new continent full of promise and hazard, we start to feel that we're on an overcrowded lifeboat in hostile waters, fighting to stay on board, prepared to kill for the last scraps of food and water?


Bookmark and Share
# posted by Scott Macaulay @ 1/10/2009 06:21:00 PM
Comments (0)


This page is powered by Blogger. Isn't yours?



FALL 2009

Fall 2009 Cover

RECENT POSTS

REVISITING I.O.U.S.A.
SCOTT KIRSNER AT CES
THE WHOPPER AS A UNIT OF CURRENCY
FILMMAKER ON FACEBOOK NETWORKED BLOGS
WATCHING THE WATCHMEN
OUTSIDE THE (WHOPPER) BOX
SUNDANCE SANS CHECKBOOKS
FINDING YOUR VOICE (AND BUDGET) AT NETFLIX
PREDICTING A NEW, SMOOTHER INDIE CINEMA
DINNER AND A MOVIE?


ARCHIVES

Current Posts
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009


blog | back issues | buy print subscription | buy digital subscription | subscription FAQ | advertise | contact
© 2009 Filmmaker Magazine