FILMMAKER
The Magazine of Independent Film

FILMMAKER BLOG Blog RSS Feed

Monday, June 01, 2009
RETHINKING STORY FROM FILM TO GAMES 

Ben Fritz has an interesting interview with Gore Verbinski up at the L.A. Times in which the director, whose film adaptation of Bioshock is stalled over budgetary issues, discusses his company's foray into game development. He's hired game designer Will Stahl to work on staff, is in development on five titles, and seems dedicated to rethinking Hollywood's traditional relationship to the game space:

It’s a mistake for Hollywood to impose themselves on the gaming space. Not only is it arrogant, but it hasn’t really worked. The presumption that we have a better understanding of narrative that we can bring to gaming is flawed at its core because interactive entertainment is a completely different way to navigate and explore what compels you in that world.

As a filmmaker, I’m absolutely fascinated with the idea that the protagonist is the audience. That mandates a new form of narrative at its core. So you can't really take the skill sets we have for making movies and impose them upon games. Hollywood has made a mistake to think they can enter this space and somehow provide better storytelling.

When we design a game here, my mantra is "gameplay first." We start on a game with the way controlling it feels in your hands. Narrative has to be a byproduct of that in the same way story is a byproduct of character in films.


Bookmark and Share
# posted by Scott Macaulay @ 6/01/2009 05:00:00 AM
Comments (0)


This page is powered by Blogger. Isn't yours?



FALL 2009

Fall 2009 Cover

RECENT POSTS

47 SHORT FILMS ABOUT CANNES
WRITE YOUR BUSINESS PLAN FOR THE FUTURE, NOT THE P...
WHAT IF EMAIL WERE INVENTED TODAY?
FILMMAKING AS LIFE MANAGEMENT
MAN OR EVERYMAN?
WATCH. LEARN. MEET.
SHOOT THE HARMONICA PLAYER
A TRIP TO THE CANNES FILM FESTIVAL'S ATELIER
TALKING GODARD AND HERZOG WITH SASHA GREY
THE 62 CANNES FILM FESTIVAL WINNERS


ARCHIVES

Current Posts
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009


blog | back issues | buy print subscription | buy digital subscription | subscription FAQ | advertise | contact
© 2009 Filmmaker Magazine