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COLUMNS

BOOKS

Peter Bowen speaks with Emanuel Levy about his new book, Cinema of Outsiders. Plus additional reviews by Ray Pride, Josh Zeman and Eugene Hernandez.

WARES

Filmmaker George Ratliff samples DV editing software.

FESTIVAL ROUNDUP

Toronto International, Venice International, Outfest, Telluride and the Chicago Underground film festivals by the Filmmaker staff, Belle Burke, Jim Moran, Anthony Kaufman and Ray Pride.

PRODUCTION UPDATE

by Mary Glucksman

BACK PAGE

Former Miramax exec Jack Lechner sets his sites on television. Stephen Gallagher reports.


Fall 1999 Table Of Contents

FEATURES

TORONTO ’99 PORTFOLIO

Richard Kern looks through the lens at the ’99 Toronto International Film Festival.

PEOPLE WHO NEED PEOPLE

David Geffner on the agreements between documentarians and their subjects. Plus, Filmmaker looks at eight great portrait docs.

THE BALLAD OF LITTLE JOHN

Tristan Patterson speaks with director Cass Paley about WADD: The Life and Times of John C. Holmes.

MOTHER SUPERIOR

Pedro Almodovar talks with Adam Pincus about his new film, All About My Mother.

I’M IN YOU

Scott Macaulay talks with Spike Jonze and Charlie Kaufman, director and writer of Being John Malkovich.

GIRL INTERRUPTED

Kimberly Peirce discusses her feature debut Boys Don’t Cry with High Art’s Lisa Cholodenko.

JULIEN DONKEY-BOY

Photograph by Richard Kern.

MY GENERATION

Ray Pride speaks with Tim Roth about his feature debut The War Zone.

CHEESE DANISH

MIifune’s Søren Kragh-Jacobsen talks about his Dogme 95 production with Peter Bowen.

MANIFEST DESTINY

Adam Pincus discusses Ride with the Devil with its screenwriter, James Schamus.

BEGINNING TO SEE THE LIGHT

Ray Pride speaks with Jesus’ Son’s Alison Maclean.

POSTCARDS FROM THE EDGE

Gavin O’Connor talks about his Sundance hit Tumbleweeds with Josh Zeman.

TOMORROW NEVER DIES

Don McKellar discusses his new film,Last Night, with Stephen Garrett.

THE EXECUTIONER’S SONG

Errol Morris talks about his new film, Mr. Death, with Scott Macaulay.

REALITY BITES

Filmmaker Ira Sachs on the highs and lows of "realistic cinema."

I WAS AN IFFM ATTENDEE

Filmmaker Caveh Zahedi documents his own highs and lows at the ’99 Independent Feature Film Market.

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