THE BLUE VELVET PROJECT
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THE ‘BLUE VELVET’ PROJECT, #113
Mon May 14, 2012
Second #5311, 88:31 1. This frame is from around twelve seconds into a thirteen-second shot, just before the screen goes black. Jeffrey sobs. The unflinching, unmoving camera eye does not look away. There is no soundtrack. There is nothing ironic or postmodern about this moment. 2. Paul Virilio, ...read more
DIRECTOR INTERVIEWS
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GRANT GEE, “PATIENCE (AFTER SEBALD)”
Wed May 09, 2012
One of the great European literary figures of the past half century was the German writer W.G. “Max” Sebald (1944-2001), a late bloomer who fused essay, history, memoir, and meditative fiction into an unclassifiable weld of eloquently bewitching prose in four major works (Vertigo, The ...read more
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STEVE COLLINS, “YOU HURT MY FEELINGS”
Wed May 02, 2012
Steve Collins’ You Hurt My Feelings is the story of emotionally remote and unavailable people, a trio of wounded individuals who fail to connect with one another. Though Collins’ film deals with familiar subject matter, its tale is told with such clever minimalism and discernible ...read more
WEB EXCLUSIVES
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MARK ELIJAH ROSENBERG TALKS ROOFTOP FILMS
Thu May 10, 2012
As a writer and filmmaker just beginning to branch out into indie festival programming, I’ve been looking for an excuse to chat with Mark Elijah Rosenberg for quite some time. The man behind the granddaddy of open-air cinema (hard to believe Rooftop Films is now in its 16th year!) has seen his DIY ...read more
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ALEX HOLDRIDGE: “I’LL NEVER GO TO LOS ANGELES AGAIN”
Mon May 07, 2012
I fell in love with Alex Holdridge’s gorgeous, smart black-and-white LA-set romantic comedy In Search of a Midnight Kiss when I saw it on the film festival circuit in 2007, and later interviewed Holdridge for Filmmaker when Kiss was released theatrically in 2008. In the intervening years, ...read more
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COPY THAT: ON THE TRANSFORMATIVE EFFECTS OF INDEPENDENT FILM PRODUCTION
Thu Apr 26, 2012You don’t have to be British royalty to find a cure for a speech impediment through film. High school senior Daniel Altman wrote the below account of his work on an independent feature as his college essay. It was subsequently published on the Stuttering Foundation website, where it has ...read more
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GOOD THINGS COME IN SMALLER PACKAGES: LARGE-SENSOR CAMERAS, ONE YEAR LATER
Wed Apr 11, 2012For those of us excited by the advent of large-sensor motion picture cameras, this past year has been the Great Leap Forward. Signs are everywhere. ARRI’s ALEXA swept TV series production in the U.S. Canon harnessed Hollywood pomp to launch its C300. RED placed an eight-page glossy fold-out to ...read more
COLUMNS
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THE MICRO-BUDGET CONVERSATION: THE END
Thu Apr 19, 2012
“Filmmaking is a visual medium. Is it a gimmick that I care about aesthetics in a visual medium? I think a well-shot film looks beautiful. I think well shot digital looks adequate. It’s simply a preference. Truth be told, I’ve always thought the idea of micro-filmmaking was ...read more
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LADY VENGEANCE: A GENRE FAN’S GUIDE TO 2012 NEW DIRECTORS / NEW FILMS
Fri Mar 23, 2012
New Directors/New Films is known for bringing some of the freshest, boldest films to light, and not necessarily just for New York audiences. Arthouse theaters around the country often make selections from this well-regarded festival’s programming. The relatively high-brow co-presentation of the ...read more
OUR VIDEOS
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KATE LYN SHEIL DISCUSSES ACTING AT SXSW
Sat Mar 10, 2012With a focused, intense, and somewhat mysterious screen persona, actress Kate Lyn Sheil has stood out in a number of recent independent films, including Silver Bullets by Joe Swanberg and Sophia Takal’s Green. At SXSW this year she arrives with four titles, including Amy ...read more












