Come and See (1985)
The inaugural season of the American Cinematheque series Bleak Week: Cinema of Despair took place in 2022, a cheeky stab at some summertime counter-programming. Its diverse lineup was aimed, as per the Cinematheque’s website, at spotlighting “filmmakers who wholly embrace… Read more
All of a Sudden
Cannes, while a real privilege to attend, is also a gauntlet—a marathon of viewing and socializing—and I’ve reached the point where my eyes have begun to droop and my head has started to throb. But there’s still work to be… Read more
The Fast and The Furious
It’s one of my closely held festival precepts that the odds of seeing a great film are much improved by making a beeline for the restorations and revivals. These are films that have endured beyond just one turn of the… Read more
La Perra
Dominga Sotomayor’s cinema is one of confined spaces. Her features tend to unfurl in tight, growingly claustrophobic settings. In her 2012 debut Thursday till Sunday, the action took place by and large inside a car en route to the beaches… Read more
Crisp powder blue shirting, the shock of red wool, and a puff of a curly bob—Visions du Réel Artistic Director Emilie Bujès was everywhere at this year’s festival, whether on stage at Place du Réel, smiling as she greeted friends old and new, or grasping a karaoke mic with her staff. Just two weeks before the opening of the annual creative nonfiction festival in Nyon, Switzerland, Bujès announced that she was leaving her role to join the Geneva International Film Festival in August. Her final edition in charge leaves an indelible fingerprint on the landscape—this year, VdR felt more international […]
In its sixth year, New York City’s Prismatic Ground festival doesn’t show any signs of rote predictability. Founder and programmer Inney Prakash has used the festival, which most recently took place from April 29 through May 3, to foreground global voices in the contemporary avant-garde. He likens his curatorial process to “conducting a piece of music or slaloming down a mountain,” but otherwise prefers to let the viewer parse threads and connections between the films he programs across four separate waves. It’s a galvanizing approach towards curation that remains surprising, generative, and ultimately grounding in a tumultuous moment for the […]
I was told to wear black. Black is the safe choice. But today, I take a page from formerly incarcerated Sing Sing star Clarence Maclin, who was wearing a galaxy-themed graphic tee when I met him at the 2025 San Quentin Film Festival. My shirt is patterned vividly with dinosaurs and aliens in space. I am embracing my inner child, honoring that goofy kid who made movies in his tiny bedroom just east of East LA. This is my second time visiting prison, my first visiting a women’s prison, and I am on edge. Not because of the twenty-foot barbed-wire […]
“NAB has always been the broadcast show,” Paul Hawxhurst, senior technical specialist at Canon USA, told me at the show this year. “For a little while there, it was cinema, cinema, cinema. Right now, it’s going back to broadcast, broadcast, broadcast.” On the floor in Las Vegas, that shift is hard to miss. As I made the rounds on the final day of the show, I asked vendors how business had been, and nearly all described a quieter year. Some companies reduced their footprint or skipped booths altogether, opting instead for smaller presences as a sponsor within NAB’s Cine Central […]
The Popcorn List, an annual survey completed by festival programmers identifying “fresh, hot” films without wide distribution, presents the second edition of The Popcorn List: Pop Up Series. This sneak-preview screening event will be held at a dozen theaters across the country in July before arriving for an encore presentation during Gotham Week in October. This is the second annual iteration of the Pop Up Series, which was created in 2025 to “deliver an additional window of visibility and audience-building for a number of films on the List” amid an uncertain distribution landscape, per a press release. This year, seven […]
If the woman in monogrammed Chanel acid-wash jeans standing on the Regal Times Square escalator had stayed to the right to let me walk past, I might not have missed the first ten minutes of The Devil Wears Prada 2. But fate was such that I was thrust into the sequel of the season without set-up. Settling into the theater’s signature ButtKicker seat, flanked by two of my best girlfriends, I re-met Andy Sachs (Anne Hathaway) in the familiar bar where Adrian Grenier’s widely loathed “disgruntled boyfriend” character worked in the original movie. Disappointingly, my formative celebrity crush was nowhere […]