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Watch: Devan Scott’s “The Holdovers, the ‘Film Look’, and Why it Matters” — The Video

A teenage boy, elderly white man and middle-aged Black woman sit at a wooden dining table with a Christmas dinner.Dominic Sessa, Paul Giamatti and Da’Vine Joy Randolph in The Holdovers

One of Filmmaker‘s most popular articles last month was Devan Scott’s “The ‘Film Look’ and How The Holdovers Achieved It.” Of course, any discussion of cinematography and color grading is immensely aided by the actual visuals, and now Scott has…  Read more

By Mar 10, 2024

Exclusive Clip: Katie Mathews’s SXSW-Premiering Roleplay

Roleplay

Plenty of — and perhaps too many — nonfiction films today borrow from dramatic storytelling, but that synthesis of documentary and drama is the productive premise of Katie Mathew’s feature documentary debut, Roleplay. A group of Tulane University students collaborated…  Read more

By Mar 8, 2024

Trailer Watch: Antony Crook’s SXSW-Premiering Mogwai Doc, If the Stars Had a Sound

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The Glasgow-based “post rock” band Mogwai is no stranger to cinema, having scored numerous films and TV shows, from the original French version of Les Revenants to Douglas Gordon and Phillippe Pareno’s experimental doc, Zidane, to, most recently, the Apple…  Read more

By Mar 6, 2024

Watch: Apple-Produced Takashi Miike Film Shot on iPhone 15 Pro

In what is a refreshing — at least for us at Filmmaker — changeup from the usual sorts of films that get the iPhone demo treatment, Apple has released a new 19-minute short, Midnight, directed by Takashi Miike. It’s no…  Read more

By Mar 6, 2024


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