Normally on shoots, veteran documentary maker Kim Longinotto films far away from her native England, often capturing the lives of women in desperate situations over the course of a few weeks. With her latest film, Dalton’s Dream, things ran rather differently. Having watched his victory on the British X Factor in 2018, Longinotto reached out to Dalton Harris, interested in documenting his life in a new country with a new record contract. An initial three-month shoot morphed into more than four years, held up by both the pandemic and the turbulence of Harris’s life as he found himself persecuted for […]
In 1968, Judith Merril and Kate Wilhelm planned to run an advertisement in a science fiction magazine with a list of authors announcing their opposition to the Vietnam War. But when they reached out to fellow members of the Science Fiction Writers of America to add their names, Merril and Wilhelm were shocked. There were significant numbers of vehement pro-war authors in the community, and they also wished to share their views with the science fiction-reading public. When the advertisement ran in Galaxy Science Fiction, it covered two full pages. On the right, the names of authors including Ursula K. […]
Brooklyn-based designer Lydia Cambron — whose commercial work focuses on retail environments and who is fascinated, according to her website, “in the narrative ability of products and objects” — has used her quarantine days to make a witty and poignant one-woman/one-apartment homage to the final sequence of Stanley Kubrick’s 2001. From Cambron: 2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors. This […]
In a project led by series producer and editor Ben Fee, 19 filmmakers have turned the old Surrealist “exquisite corpse” creation method into a “collaborative filmmaking game,” Exquisite Shorts, that you can watch above. Previously used throughout the 20th century to create poetry and artwork, the method lends itself beautifully to collaborative filmmaking, particularly when the creators are as inventive as the ones in this group. (Names involved who are familiar to Filmmaker readers include Travis Stevens as well as Courtney and Hillary Andujar, who appeared on last year’s 25 New Faces list.) In the 12-minute piece they mix short visual […]
2016: not a good year for most people, and certainly not for Frank Beauvais. His Just Don’t Think I’ll Scream is the opening night film at this year’s sixth annual Art of the Real series, Film Society of Lincoln Center’s perspective on the year in nonfiction. Handily for me, Beauvais (a music supervisor and documentarian making his feature debut) has written his own IMDb synopsis, upon which I cannot improve: January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job […]
In January 2017, I interviewed San Francisco-based independent filmmaker Daniel Kremer for a local Bay Area publication called CineSource Magazine. In these past two years, he’s been as indefatigable and as busy as ever. On February 10 and 11, the San Francisco Independent Film Festival premieres his latest feature film, Overwhelm the Sky. In late March, he will host a local screening of the roadshow-style edition of the film, a nearly three-hour epic complete with an orchestral overture and intermission. Come springtime, he’ll be opening the film at a prominent European film festival (the name of which must be kept under […]
Alvin Toffler in his prescient 1970 bestseller, Future Shock, predicted that in a post-industrial society the design of goods would turn over frequently as they became quickly outdated and triggered their own replacement. They would grow disposable too, with the cost of repair exceeding cost of replacement. His emblem of discardability was the disposable lighter. (He also foresaw the rise of the freelance economy in which people would change career and workplace frequently—a fact of life for most of us in this industry.) At NAB in April, Blackmagic Design advertised a new “Professional Ultra HD broadcast camera for less than […]
In its own way, it’s an enlightening experience to attend, at least once, a Big TIFF Premiere, which I didn’t do during my first time attending last year. The Death of Stalin premiered in the Winter Garden, a venue on the seventh floor of a building whose ground level houses the Elgin theater; per Wikipedia — in a phrase which Googling only traces to there, so perhaps there’s a different way to refer to this — they are the world’s only surviving “stacked Edwardian theaters.” The Elgin seats 1,561, the Winter 992, so you can gauge the perceived star value and […]
Early in La La Land, Emma Stone’s aspiring actress rises from a restaurant conversation about the unpleasantness of contemporary moviegoing and sprints to the Rialto Theatre to take in Rebel Without a Cause with Ryan Gosling’s intractably traditionalist jazz pianist. The burst of exuberance doesn’t last. The Rialto later closes down and as Gosling waxes poetic about jazz’s declining cultural relevance you begin to feel that for La La Land jazz is just a surrogate for the state of film itself. La La Land is an ode to the magic of movies – at a time when going to the movies has […]
A New England folktale envisioned by production designer turned director Robert Eggers has become a critical and box office darling. As striking as The Witch‘s imagery of a 17th century Puritan family exiled to live beside an ominous forest is, it is made even more haunting when combined with the score conceived by Toronto-based composer Mark Korven (Cube). Filmmaker: You must be pleased with the critical and box office reaction to The Witch. Korven: Both have been amazing. I certainly didn’t expect for the movie to go this far. When I started working on it I thought that a lot of people weren’t going […]